In the past few months the publication of detailed national digital-music sales figures has illustrated great differences between countries’ digital-music-buying habits. Published analysis of digital-music sales patterns has drawn a variety of conclusions regarding whether subscription streaming services are cannibalizing download sales. However, as subscribing to music starts to become mainstream and download sales begin leveling off, or falling, more and more people are asking whether streaming is to blame. Continue reading
Google has launched a music-subscription service to complement the sale of music downloads from Google Play. The strangely titled Google Play Music All Access will go up against the likes of Spotify, Rdio, Rhapsody and Xbox Music in the US, with overseas rollouts expected soon. There is no advertising-supported tier, and a monthly subscription costs US$9.99. An introductory price of US$7.99 is in place until the end of June. Like its rivals, All Access offers curated playlists and suggested music-discovery options. All Access ties in with Google’s music-locker service, which provides storage for up to 20,000 tracks owned by a user. Continue reading
Celebrating a rise in global recorded-music trade revenues is something most in the music industry under the age of 30 have never done. After a flattening in trade revenues in 1999, every subsequent year through 2011 saw revenues drop. Last year, however, the industry experienced slight growth, bringing an end to a 12-year contraction streak.
The IFPI cautioned against getting too carried away with the result, and digging into the different national-trade-association results suggests it was right to do so. Moreover, although a 9% rise in digital sales was the driving force behind the return to overall growth, the differences in the performance and transformation of the leading markets effectively make any evaluation of the global recorded-music industry almost irrelevant. Continue reading
Few regions in the world have escaped the spread of digital-music services. Even in the least developed territories, basic digital services, such as ring tones and ring-back tones, have been rolled out in an effort to tempt customers to go digital. But even though many of the Gulf States have highly developed technology infrastructures, digital-music services have been slow to take hold. Moreover, the lack of collection societies to administer rights collections has left the region as something of a rights wasteland. Could overseas involvement kick-start the rights-administration process? Continue reading
As the issue of multiterritory licensing comes under the spotlight in Europe, differences in rates charged and rights splits will become more evident. Will an EU directive that breaks down national borders be followed by a bigger push for deeper collection-society harmonization across the region?
With publication of the European Commission’s new multiterritory licensing proposals, Brussels’ efforts to harmonize the EU’s digital-music landscape are looking to build on legislation harmonizing authors’ and publishers’ rights that are managed by collection societies. Continue reading
Political change has come to France and the impact of the switch to a socialist president, following the election of François Hollande earlier this month, could be felt by the music industry. Hollande has begun looking at reforming tough anti-piracy measures despite claims from the music industry that targeting file sharers is beginning to generate increased interest in the legal digital sector. Continue reading
Mobile is the value-add that attracts the highest premium in streaming services. According to sources at the US streaming service Rdio, the majority of its subscribers take the top-premium mobile-access plan. Continue reading
At the end of last month the music industry once again descended on Cannes for the annual institution that is MIDEM. Opinions from the trade floor and the many conferences and panel sessions left visitors in no doubt that there has been a major shift in opinion from across the music industry that streaming and subscription services have really started to take off. Continue reading
The number of digital tracks available to music customers has grown at an incredible rate over the past few years. At launch, Apple’s iTunes offered only 200,000 tracks, and the company says it now has more than 18 million tracks in its database. Users have never had it so good and to help them find the music they want, a number of digital-media companies are building customized high-performance music-discovery engines, seeking to offer the “perfect” version of such a service. Continue reading
The two most popular music genres in terms of retail sales last year were pop and rock. According to the annual genre study by Music & Copyright, retail sales of pop music stood at US$7.3 billion in 2010, while retail sales of rock music totaled US$6.2 billion. Pop sales had a better year than rock, falling by just 3% compared with rock’s decline of 6.6%. However, sales of jazz, classical and other smaller genres fared worse last year. Continue reading