The latest issue of Music & Copyright is now available for subscribers to download. Here are some of the highlights.
Spotify hit by second US copyright infringement lawsuit
Music subscription service Spotify is facing a second class action lawsuit accusing it of reproducing and distributing sound recordings without the necessary license. In December, the artist and rights advocate David Lowery filed a class action copyright lawsuit at the Central District Court of California claiming $150m in damages because the service had failed to identify or locate the owners of certain compositions for payment that it has distributed, and had not issued a notice of intent to employ a compulsory license. Now artist Melissa Ferrick has filed a second class action lawsuit at the same court, and is claiming $200m in damages. Both lawsuits note Spotify’s public acknowledgment that it does not have the correct licenses to distribute certain recordings after it said it had created a reserve fund for royalty payments that had been withheld from artists and that it was investing in the resources and technical expertise to build a comprehensive publishing administration system to solve the licensing problem.
New report details the supporting role of brands in online IP infringement
A new report detailing digital advertising and the scale of advertising-based funding of websites suspected of infringing intellectual property (IP) in the European Union has been published by the European Observatory on Infringements of Intellectual Property Rights (the Observatory). The study monitored a number of different websites that offered a range of content and assessed the extent by which digital advertising supported IP-infringing websites. The study also analyzed the brands and sectors supporting the websites with their advertising and the advertising companies placing the ads. Among a number of conclusions, the Observatory said that, despite brands being able to control how agencies managed their campaigns, suspected IP-infringing websites were found to be a “brand-rich environment” with mainstream advertising accounting for almost half of all the ads collected in the study.
Rightscorp and clients hit with a $450,000 “robo-call” settlement bill
Copyright enforcement company Rightscorp and its two clients BMG Rights Management and Warner Bros. Entertainment have agreed to settle a class action lawsuit which accused them of violating the Telephone Consumer Protection Act (TCPA) by using an automatic telephone dialer and sending pre-recorded calls to the mobile phones of a number of individuals without their prior consent. The calls, made by Rightscorp on behalf of the two companies, were to inform suspected copyright infringers of their actions and to obtain pretrial settlements. In addition to receiving damages, the class action members were absolved of any copyright infringement claims.
US country report
In addition to the usual set of music industry statistics and news briefs, the latest issue of Music & Copyright includes a detailed US music industry profile. The US is the biggest music market in the world. Not only does it account for around one-third of global recorded music sales, the country is home to the largest live music sector in the world and the single biggest live music promoter, Live Nation Entertainment. The US also has two of the biggest authors’ rights organizations, ASCAP and BMI, and has quickly become the world leader in performance rights collections for record companies and performers, despite the fact that the country’s collection agency SoundExchange only collects royalties from digital music services.
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