The latest issue of Music & Copyright is now available for subscribers to download. Here are some of the highlights.
Munich court rules in favor of YouTube in GEMA damages case
A court in Munich has ruled that the online video service YouTube is not responsible for copyright infringing content uploaded by the service’s users. The court found that the sole responsibility lies with individual uploaders and that no damages should be paid by YouTube for unlicensed content appearing on the service. German authors’ society GEMA said the decision meant YouTube was presently not financially accountable within the current legal framework when works protected by copyright are used on the platform. GEMA has been at odds with YouTube for a number of years with the two unable to agree rates for a licensing deal.
Stable year for physical music sales in Japan; Avex remains the market share leader
New figures published by the Japanese recorded music trade association the RIAJ show that the total production value of physical formats was unchanged in 2015 compared with 2014. Although the value of audio units slipped slightly, a rise in video units offset the decline. The production value of domestic artist releases increased year-on-year, but the value of international artist releases dropped sharply. According to chart compiler Oricon, Japanese record company Avex remained the leading music company, despite losing market share to local rivals.
CUR Media sets its sights on the “massive” US music streaming market
The latest entrant to the already crowded US music streaming sector is CUR Media’s CUR Music service. First launched as an Internet radio service a few years ago under a different name, the rebranded service rolled out in the US on iOS in January and will be available on Android and the Web in February. Although the service offers fewer tracks than the leading subscription services, the two advertising-free tiers offered cost less than its rivals. Cur Music’s emphasis is on radio and playlists, which puts it up against the likes of Pandora and iHeartRadio. The US has already seen a number of casualties in the streaming sector in the last year or so and with CUR Music seemingly late to the party, the service will do well to hold its own against established offerings that are making most of the running.
Canada country report
In addition to the usual set of music industry statistics and news briefs, the latest issue of Music & Copyright includes a detailed Canada music industry profile. Canada experienced an improved recorded music sales performance in 2015. Just how much of an improved year 2015 was will be confirmed in the next couple of months when the IFPI publishes trade revenue figures for the country. According to Nielsen Music, unit sales of recorded music were down year-on-year, but a big jump in streaming is likely to have reduced the rate of contraction in trade revenue compared with 2014. UMG remains the clear market share leader, ahead of SME, and preliminary details published by authors’ society SOCAN show royalty collections were up for the third year in a row with the level of royalties identified, collected, and distributed all breaking previous records. Canada’s live music industry is also thought to have had a good 2015.
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